Posts Tagged ‘Theatre’

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Shakespeare’s Richard III: @RWCMD Cardiff

September 25, 2017

The Royal Welsh College of Music and Drama consistently provide thought-provoking and engaging stagings of Shakespeare’s plays – well worth going to check this out:

Thursday 19 October – Saturday 28 October 7.15pm
Matinee Wednesday 25 October 2.30pm
No performances Sun & Mon
BSL interpreted performance on Saturday 28 October. Interpreted by Julie Doyle.

by William Shakespeare
Directed by Joe Murphy

My conscience hath a thousand several tongues,
And every tongue brings in a several tale,
And every tale condemns me for a villain. 

Named the most fascinating historical figure in a poll last year of British historians and the public, Richard III continues to provoke debate. Shakespeare’s brutal play portrays him as a ruthless, power hungry villain, who will stop at nothing to gain the throne occupied by his brother.

Venue: Richard Burton Theatre

Tickets: £13, £11 concessions, Under 25s £6

Find out more

 

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Shakespeare performances in Cardiff and nearby this summer

June 30, 2017

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There seems to be so much Shakespeare lined up for the summer it’s difficult to keep track. However, I’m going to have a quick look about and see what I can collect together here. Please let me know if I’ve missed anything and I can add it.

We don’t have anyone lined up to review these, so if you are interested please get in touch with me.

Some of the productions detailed below are playing elsewhere and fairly nearby too. Just follow the links on the play titles to find out more.

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Wednesday 5 July A Midsummer Night’s Dream
Ballet Cymru at Grand Pavilion, Porthcawl

Wednesday 5 July The Tempest
Taking Flight Theatre Production in Newport (2pm and 7pm)

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Thursday & Friday, 6-7 July The Comedy of Errors
The Lord Chamberlain’s Men at Cardiff Castle (Gates open 6.30pm)

Friday 7 July The Merry Wives of Windsor
The Festival Players at Caerleon Amphitheater, near Newport (7.30pm)

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Thursday & Friday 13-14 July Richard III
Showcase Performing Arts at Redhouse, Merthyr Tydfil (7pm)

Friday 14 July The Taming of the Shrew
Heartbreak Productions at Chepstow Castle (7.30pm)

Saturday 15 July A Midsummer Night’s Dream
Fringe Theatre Festival, YMCA, Cardiff (2-3pm)

Sunday 23 July Twelfth Night
Everyman Youth production in Sophia Gardens, Cardiff (7.30pm)

20-29 July Macbeth
Everyman production in Sophia Gardens, Cardiff (Saturday at 3pm, and otherwise 8pm; no Sundays)

Saturday 29 July The Tempest
Taking Flight Theatre Production in Cardiff (Noon)

Sunday 30 July The Tempest
Taking Flight Theatre Production in Penarth (4pm)

 

Illyria TheatreSaturday 5 August The Comedy of Errors
Illyria production in Abergavenny (7pm)

Join our Cardiff Shakespeare Facebook group here.

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Taking Flight Theatre @takingflightco : The Tempest

June 8, 2017

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Taking Flight Theatre return, this time with their unique take on Shakespeare’s The Tempest.

Join the Magic Staff Liner Corporation and indulge yourself with a jaunt on the newest addition to their fleet- their number one luxury ocean liner, The Remembrance.  Let their crew take care of your every worry, your every woe on their 10 year anniversary cruise to the Island that Time Forgot.

Expect lots of laughs, physical comedy, live original music and most of all expect the unexpected.

This performance has live integrated BSL interpretation and audio description. Touch tours and BSL introductions are available by arrangement- please contact beth@takingflighttheatre.co.uk or on 07785 947823 to discuss this, or any other access requirement.

This is an outdoor performance so please wrap up warm and bring your brolly/sun cream/blanket/travel chair!

Performance dates: 

Thursday 8th, Friday 9th, Saturday 10th performances in Thompson’s Park. Audience to meet at the Romilly Road entrance.

Sunday 18th performance in Roath Park. Audience to meet at the conservatory entrance.

Read our review of last year’s Shakespeare production.

Visit the Taking Flight website, book tickets, and find out about their performances outside of Cardiff too.

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Interview on Shakespeare with Yvonne Murphy, Omidaze Director

April 23, 2017

Romeo and Juliet OmidazeTo celebrate Shakespeare’s official birthday, director and producer Yvonne Murphy has shared with us some thoughts on Shakespeare and the latest Omidaze (Oh My Days!) production of Romeo and Juliet, coming to Cardiff later this month. In 2008 Yvonne founded Omidaze Productions, which now has a reputation for exciting Shakespeare theatre and generally shaking things up a bit.

What is special about the Romeo and Juliet production this year?

When the referendum happened last year I watched and listened to our country fracture. British society is at a crucial point in its history and I believe we need space and time to have a proper conversation about what kind of society we want to live in. We are a generation away from the Second World War after which we reshaped our society for the better. I would like to think we are enlightened enough that we can make the necessary fundamental steps, which are now needed without conflict as a catalyst.

I struggled post the referendum to know what I should do next. I felt silenced and fearful. I questioned the role and direction of theatre and the arts generally and what Shakespeare had to do with anything anymore. I went a long way away to come back round to Romeo and Juliet. A story of society. A morality tale of how a broken and dysfunctional society puts at risk the futures and lives of our young people. If Romeo and Juliet had felt empowered, felt able to influence those in power and listened to, then they may have made better and more informed choices. We ignore our young people at our peril. It is all of our responsibility to ensure there is no conflict on our streets and our society is a place which values equality, knowledge, tolerance and understanding. And above all it must be a society in which no one feels fear for themselves and those they love.

What is distinctive about putting on productions of Shakespeare in Wales?

Shakespeare takes time to do well. I have fought for that time. Unless the actors understand the verse structure and every syllable of what they are saying how can they hope to communicate it to an audience? Especially a non-traditional theatre audience who are not used to hearing the language? A four-week rehearsal period is not an artistic decision, it is an economic one and one which needs to change if we are to produce classics of quality. I feel very privileged that the Arts Council of Wales and all our partners felt able to invest in Omidaze to do this work in this way.

Wales is a small nation and one which I think would benefit from less catergorisation of art forms and more breaking of boundaries – I am interested in melding artforms. I am interested in what entices audiences across class, ability, race, gender and age into a circus tent and what creates barriers to the same people for theatre. In all my shows I attempt to blend and break boundaries of different artforms, (circus, stand-up comedy, dance, visual art) to allow as many people as possible a route into the work.

I also made a conscious decision to cast as diverse a cast as possible. If I want to reach a non-traditional audience for Shakespeare then the people on stage must reflect the people on the streets of Wales and Britain. Much work is needed to increase and diversify our casting pool in Wales and then create enough strong quality work and development opportunities to keep talented actors and creatives here.

Omidaze is not just about putting on a show: you are also involved in educational projects. Do Shakespeare’s plays offer room for ‘inspiring change’ or are you always reacting against them?

I am never reacting against the text. The text is my absolute starting point and what I begin and end with. It is a story which needs to be told. I do not come with a concept which I want to squeeze the play inside. I read and read a text and let it resonate within me and find the story which I feel strongly needs to be told right now.

I am however reacting against how Shakespeare is often done. My starting point for the trilogy was to ask who is Shakespeare for and where and how can it be staged, by who and for who and why?

Shakespeare is a gateway art. It opens doors, raises expectation and ambition levels and it belongs to all of us. It is a gift which we must share because to close that door is to shut off a light to people.

I was deeply concerned by the lack of gender equality in the theatre industry and I knew Shakespeare was a good starting point to raise awareness around that discussion. However, conversation of equality cannot and should not be confined to gender. Equality is all about power sharing. There are no villains. Just years and years of doing things a certain way and years of lists being created of people to use whether that is a lighting designer, production manager, voice coach or actor. It takes time, energy and conscious effort to change those lists and so that is what I decided to do. In my own small way.

The educational aspect of Omidaze is at our very core. It is not an add on. We rehearse live in schools in front of young people to break open the process. We create workshops to accompany the work and invite young people from disadvantaged areas into our dress rehearsals. We open the doors to young people looking for work experience and we hold Q&As whenever we can. Theatre and the arts in general are in a state of emergency. If we only see arts subjects in schools as vocational and then see a career in the arts as too precarious for anyone not from a stable financial background the voices and work will not represent modern Britain. The arts and culture belong to everyone. We must value them and their impact and create a strong society with them at its core. Whoever heard someone tell a child to only study Maths or Science if they want to be a Mathematician or a Scientist?

As Churchill so famously supposedly said (or is it an urban myth?) when asked if the money ring-fenced for art and culture should be put into the war effort – ‘Then what are we fighting for?’

Yvonne blogs at omidaze.wordpress.com

Read the Cardiff Shakespeare review of last year’s Omidaze Shakespeare production.

Visit the Omidaze website

@Omidaze

Wales Millennium Centre, Cardiff

27 April – 14 May, 2017

Find out about tickets.

If you would like to contribute Shakespeare-related news or reflections, please get in touch with me (Johann Gregory).

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A Midsummer Night’s Dream @NewbridgeMemo – March, 1st-4th

February 20, 2017

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Marvellous Pretenders are a newly formed professional theatre company, based in the Newbridge Memo.

The group, who are fronted by director and actor Suzie Rees, are the only professional producing company in the area and will be bringing classic plays to Newbridge over the next few years…the first installment being the Shakespearian classic: A Midsummer Night’s Dream.

Wednesday, March 1st – Saturday, March 4th

Tickets on sale now: £8 standard | £6 concession.

Ballroom Bar Open: 6.30pm | Theatre Doors: 7.00pm | Event Start: 7.30pm.

Find out more

 

If you would like to review this production for Cardiff Shakespeare, please get in touch with Johann Gregory.

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So why come and see the show?
It’s going to be great fun as the company have approached it as a Shakespearean farce so it’s quite fast and furious. Also, it’s the first opportunity to see classic theatre by the Memo’s own professional theatre company.

Is the show accessible and up to date? What can people expect?
The actors have spent a long time working on understanding the language so that the audience will be able to understand it too.  Our version is a long way from the stuffy, static performances many people associate with Shakespeare.

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RSC Live The Tempest – Encore Screenings 7 Feb @theRSC

February 3, 2017

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If, like me, you’ve yet to see the RSC Tempest, there is a chance to catch it in Cardiff next Tuesday. I was lucky enough to hear the co-producer Sarah Ellis talk yesterday in Cardiff at an event on digital and the arts, where she discussed the RSC’s collaboration with Intel and Imaginarium Studios. Last semester I was teaching the play on a Late Plays module at Cardiff University and in seminars we discussed what the masque in the play would look like in the twenty-first century, so I’ll be interested to see how this scene is staged especially.

Johann Gregory

Find the nearest cinema screening to you.

BBC NEWS: Shakespeare’s Tempest gets mixed reality makeover

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The Moot Virginity of Catherine of Aragon @ShermanTheatre

January 24, 2017

This production is currently showing at the Sherman, Cardiff:

Europe divides in two. An act of teenage love could be the cause. Catherine of Aragon’s first wedding night with Henry VIII’s brother, Arthur comes into question in this no-nonsense music-theatre first. Did they? Didn’t they?

With live on-stage musicians and an award-winning team, this immersive show is a must as we reconsider one of history’s misremembered women.

Performed by Abigail McGibbon (winner Best Supporting Actress, Irish Times Theatre Awards, 2016)

Directed by Conor Mitchell

This is an immersive piece where audiences can choose to stand or sit.

 

More information

Running time: 50 minutes

Contains strong language and themes of an adult nature and a short scene which includes the use of a real deceased pig’s head

Performed by Abigail McGibbon
Directed, Written and Composed by Conor Mitchell

An immersive piece where audiences can choose to stand or sit

Date Time
Tuesday 24 January 8.00pm
Wednesday 25 January 8.00pm
Thursday 26 January 8.00pm
Friday 27 January 8.00pm
Satuday 28 January 3.00pm
Saturday 28 January 8.00pm

Find out more

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