Posts Tagged ‘Seminar’

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Kingston Shakespeare Seminar (KiSS)

February 8, 2013

Kingston Shakespeare Seminar (KiSS)

Kingston University’s new seminar series is open to the public as well as staff and students. The seminars will be held at the Rose Theatre, in Kingston-upon-Thames, south-west London, from 5.30 to 7pm on the following dates:

* Thursday 7 February 2013: Dominique Goy-Blanquet (University of Picardy; current President of the Shakespeare Association of France): ‘Henry VIII and The Maid’s Wedding: Ghostly Revels’

* Wednesday 20 February 2013: Tobias Doring (Ludwig-Maximilian University Munich; current President of the German Shakespeare Association): ‘Shakespeare’s Afterlife: Contemporary German poetry and the problem of poetic creativity’

* Thursday 7 March 2013: Ewan Fernie (Shakespeare Institute, University of Birmingham): ‘Garrick and the German Enlightenment’

* Wednesday 20 March 2013: Coppelia Kahn (Brown University): ‘Reading the Face in “Hamlet”‘

* Thursday 11 April 2013: David Skilton (Cardiff University): ‘The Novelist’s Voice: Shakespearean Intertext in Thackeray and Trollope’

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MEMORI Today: Lying in Early Modern Literature

February 7, 2013

MEMORI LOGOMedieval and Early Modern Research Initiative

Prof. Andrew Hadfield (University of Sussex) will be presenting a paper today on ‘Lying in Early Modern Literature’.

7th of February, Room 2.03, 5.15pm

Find out more about the research seminars in the School of English, Communication and Philsophy here.

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MEMORI SEMINAR

October 15, 2012

Medieval and Early Modern Research Initiative

The first talk this semester will be presented by Dr Megan Leitch (Cardiff University):
“‘For treason walketh wonder wyde’: Treason, Truth and Pragmatism in the Literature of the Wars of the Roses, c. 1437-c.1497”

Thursday 18th October, 5.15pm, Room 2.03

Find out more about the ENCAP Research Seminar Programme here.

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Performance in Place of War @ Cardiff University

November 30, 2011

Beacon for Wales Lunchtime Seminar:

Performance in Place of War – engaging locally and internationally

 Professor James Thompson, Professor of Applied Theatre and Associate Dean for External Relations, University of Manchester

 Thursday 8th December, 12.30pm – 1.30pm,

Glamorgan Council Chamber, Glamorgan Building, Cardiff University

In Place of War was awarded the THE ‘Excellence and Innovation in the Arts Award’ 2010 and has now been developing and supporting theatre and arts programmes in sites of armed conflict since 2004. It started as a research project funded by the AHRC, and has subsequently developed online resources and publications, organised seminars and conferences, and developed practical arts projects in both the UK and abroad. In the last three years it has developed an artists network that has involved practitioners from DR Congo, Kosovo, Northern Ireland, Sri Lanka and South Sudan. In the summer of 2011 it ran the first ever theatre conference in the eastern DR Congo town of Goma.

Professor Thompson will present the project, giving examples of different arts programmes, the varying activities of the network of artists and how it has sought to engage with both academic and non-academic audiences. One of the principles of In Place of War has been to explore how its work can relate to groups internationally and locally – and James will discuss the relation between Manchester-based activities and work that has been focused overseas. Performances by refugees within the University to family audiences will be compared to programmes for refugees in Sudan and DR Congo. In Place of War hopes to be a positive example of how arts and humanities researchers can develop projects that interact with diverse communities beyond the University.

For further information:  http://www.inplaceofwar.net/

This seminar is free to attend

James Thompson is Professor of Applied Theatre and Associate Dean for External Relations at the Faculty of Humanities, University of Manchester. He is director of the In Place of War project – a research and practice-based initiative that works with artists who live and work in war zones. He has published widely in the field of Applied Theatre, including with colleagues ‘Performance In Place of War’ (Seagull/University of Chicago) and ‘Performance Affects’ (Palgrave). His current position involves developing the public engagement, outreach and social responsibility programmes for the University’s Faculty of Humanities

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London Shakespeare Seminars

January 27, 2011

31 January 2011: London Shakespeare Seminar
17:15: Room G22/26 (Senate House, Ground Floor)
Charlotte Scott (Goldsmiths, University of London, U.K.): ‘War and Peace: Henry V and the Language of Improvement’
Emma Smith (University of Oxford, U.K.): ‘”Such Readers we wish him”: Reading the Shakespeare First Folio’

28 February 2011: London Shakespeare Seminar
17:15: Room G22/26 (Senate House, Ground Floor)
Florence March (University of Avignon): ‘Richard III at the Avignon Festival’;
Pascale Aebischer (Exeter University, U.K.): ‘Bend it like Nagra: filming Renaissance drama for British television in the twenty-first century’

21 March 2011: London Shakespeare Seminar
17:15 – 19:00 Room G22/26 (Senate House, Ground Floor)

Sabine Schuelting (Freie Universitat, Berlin, Germany): ‘Precarious Figurations: Shylock in Twentieth-Century Germany’
Boika Sokolova (Notre Dame University in London, U.K.): ‘”Is this the promised end?”  King Lear on the post-Communist Bulgarian stage’

Find out more here.

 

 

 

 

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Professor Stuart Sillars gives next CEIR talk

November 28, 2010

Professor Stuart Sillars (University of Bergen)

“Illustrated Shakespeare and the Limits of Interpretation”

14th Dec 17.15-18.15

Room 2.48

This seminar has been arranged by the Centre for Editorial and Intertextual Research (CEIR).
Visit CEIR’s Cardiff Book History blog  here.
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Artistic Director talk at Cardiff University

November 26, 2010

John McGrath (Artistic Director of the National Theatre Wales) will be giving a talk at Cardiff University on Wednesday 1st December (Humanities Building, Room 2.1 at 5.15pm).

His talk is entitled:

Mapping Wales, Mapping Theatre, and What Next… 

Admission is free. No booking is required.

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