Archive for September, 2017

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Shakespeare’s Richard III: @RWCMD Cardiff

September 25, 2017

The Royal Welsh College of Music and Drama consistently provide thought-provoking and engaging stagings of Shakespeare’s plays – well worth going to check this out:

Thursday 19 October – Saturday 28 October 7.15pm
Matinee Wednesday 25 October 2.30pm
No performances Sun & Mon
BSL interpreted performance on Saturday 28 October. Interpreted by Julie Doyle.

by William Shakespeare
Directed by Joe Murphy

My conscience hath a thousand several tongues,
And every tongue brings in a several tale,
And every tale condemns me for a villain. 

Named the most fascinating historical figure in a poll last year of British historians and the public, Richard III continues to provoke debate. Shakespeare’s brutal play portrays him as a ruthless, power hungry villain, who will stop at nothing to gain the throne occupied by his brother.

Venue: Richard Burton Theatre

Tickets: £13, £11 concessions, Under 25s £6

Find out more

 

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‘Do Not Go Gentle’: Everyman Theatre and The Drill Hall. Friday 8th September at Chapter Arts Centre.

September 16, 2017

DARREN FREEBURY-JONES

 

Australian playwright Patricia Cornelius’s award-winning ‘Do Not Go Gentle’ depicts five elderly people nearing the end of the journey that is their lives. The characters embody different aspects of Dylan Thomas’s famous villanelle, from which the play’s title derives: wise men, good men, wild men, and grave men. Moreover, the characters’ journey, which takes place in a nursing home, interweaves original dialogue with Robert Scott’s diary accounts of his ill-fated Antarctic expedition. Each role is rich in characterisation, and Cornelius gives us an insight into pasts that they can only vaguely recall, such as problematic marriages, loving husbands no longer recognised by their wives, and the devastating effects of post-traumatic stress disorder induced by the Vietnam War, whilst simultaneously exploring the effects of dementia and the politics of care. The script is heart-warming, shocking, thought-provoking, and hilarious, seemingly discordant ingredients that result in a very fine play, if cast and directed right.

Fortunately, this production was indeed very well cast and directed. Ray Thomas and his actors and crew have embarked on one of the most ambitious undertakings in Everyman Theatre Company’s rich history, involving members from Wales and Australia. The joint cast – Cate Feldmann, Susan Gallagher, Owen Trevor-Jones, Max Donati, and Greg Aitken from The Drill Hall in Mullumbimby, and Geraint Dixon, Rosy Greenwood, Peter Harding-Roberts, and Arnold Phillips, from Everyman, Cardiff – worked perfectly, with not a weak link to be found. The on-stage relationships between them were eminently believable, and the actors tickled funny bones and pulled at heartstrings in almost equal measure.

Geraint Dixon played Scott, who narrated the expedition throughout with dulcet Welsh tones, while offering audience members the odd glimpse of a man behind the historical figure, nearing his end and lamenting his failures. Peter Harding-Roberts was hilarious as the bombastic Evans, very much representing a wild man who, for much of the play, raged against the dying light, which made his ending all the more poignant. Rosy Greenwood played the occasionally scandalous role of Wilson; she was engaging and warm throughout, and stole hearts with ease. Cate Feldman’s performance as Bowers was particularly touching, for she refused to acknowledge that she had lost her way and could no longer recognise her husband, played by Arnold Phillips, who also gave a beautifully understated performance. No less poignant were the interpretations of Owen Trevor-Jones as Oates and Max Donati as his son, Peter, victims of war and suicide. The confrontation between these two was especially effective.

Moreover, director Thomas and professional designer Ruth Stringer made great use of the depth and breadth of the Chapter Arts Centre stage, with white drapes, resembling all at once bedclothes, icy crevices, and the Terra Nova sails, helping to convey at various points a hostile landscape and a laundry room. Additionally, the judicious use of lighting, primarily white, with hints of blue, reflected both the metaphorical Antarctic expedition and the nursing home interior. The stage also resembled a raised ice-field platform, with suggestions of white tiled flooring and other features added to it, such as ski tracks. The actors remained in character throughout proceedings, often sitting stage right, drinking cups of tea, or preparing for the next leg of their journey.

The play’s conclusion felt tragic in many respects, as Wilson’s husband (played by Greg Aitken) turned up and we realised that the relationship between her and Scott was not as it seemed. With only Scott left on stage, he was given a choice of walking into a palely shining light and exiting stage left, or raging against that dying light. Needless to say, he exited stage right, and thus concluded a wonderful piece of ambitious theatre. The production’s Cardiff journey is now over, but it will resume at the Memo Arts Centre, Barry, on 16th September, and The Savoy, Tonyrefail, 29th September.

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